Wednesday, 28 April 2010
(Evaluation) Part Seven - What have you learnt about technologies from the process of constructing this product?
Here is a list and analysis of all technologies used throughout my Pre-Production, Production and Post- Production.
Technology Used Throughout the Project.
Technology Used Throughout the Project.
(Evaluation) Part Six - How did you attract/address your audience?
In terms of reaching my target audience, I feel that some comments have clearly shown that i have done so;
'I liked the pace of the shots....they were really quick'. From our survey on thrillers our audience stated that they favoured the 'edge of the seat' effect and I feel that quick cuts gives this affect. Also, it also gives the idea of an 'action thriller' with as the most favoured sub-genre by our audience.
Moreover, due to the comment 'I liked the continuous flashbacks through the whole piece' it is clear that we have successfully presented the psychological element that we wanted to.
The leit-motif was said to be 'really liked' which is very positive. We included it as it could be used throughout to connote that the killer is clear, so it clear that we used it effectively.
From this it is clear that we have both reached and appealed to our target audience.
Overall, I feel that our production has been successful in many instances. The originality of the piece with the 'unique' typography and leit-motif shows that our thriller stands out. Moreover, it is clear that our clues were clear as one audience member suspected a link between the killer and the police.
However, there were a few less successful elements. In the feed back, one group states that there had been a 'mugging'. However, there was meant to have been a murder. I feel that they got this impression due to there being no shots of a knife, therefore, I feel I would have included a close up of the killer using a knife. However, it could be argued that this mystery and 'theatre of the mind' is conventional for the thriller genre. Moreover, one comment we that the lighting varied, however, I feel that this was no too extreme that it needed changing.
(Evaluation) Part Two - Who would be the audience for your product?
Age: 15 - 30
Gender: Both (However, slightly more male due to the predominant male cast.)
Ethnicity; British. All races, yet mainly Caucasian)
Media Consumption; 24, Lost, Prison Break, The Bill, CSI. (General crime/complex television shows or films.)
Social Economic: B-D (We choose this specific SEG, as our thriller is reasonably mainstream so would appeal to a wider range of people.
Habits: Frequent readers, interested specifically in thriller films.
During pre-production we asked our audience questions about thrillers. We placed a survey on gum tree and asked for people who like thriller to take the survey. Here are some of the responses and how this informed out production;
Gender: Both (However, slightly more male due to the predominant male cast.)
Ethnicity; British. All races, yet mainly Caucasian)
Media Consumption; 24, Lost, Prison Break, The Bill, CSI. (General crime/complex television shows or films.)
Social Economic: B-D (We choose this specific SEG, as our thriller is reasonably mainstream so would appeal to a wider range of people.
Habits: Frequent readers, interested specifically in thriller films.
During pre-production we asked our audience questions about thrillers. We placed a survey on gum tree and asked for people who like thriller to take the survey. Here are some of the responses and how this informed out production;
- 26.7% of 15-30 year old's favourite thriller sub-genre was the psychological thriller. Due to this popularity, we have included many instances in our thriller that introduce this psychological element by including multiple clues, red herrings and twists.
- Furthermore, our audience also pick the ‘edge of the seat’ effect as the best part of a thriller. As a result, our opening contains multiple fast cuts (i.e D.I Sharma removing his notepad) and distorted music through the flashbacks.
- Moreover, during production I also added a draft of our thriller and asked my friends who fitted into are target of any improvements
(Evaluation) Part One - Brief
The brief for our foundation production was to;
'Produce the titles and opening of a new (thriller/horror) fiction film, to last a maximum of two minutes'.
We were also given the assessment criteria for our portfolio as well as evaluating past students work, both of these gave me a greater understand of my brief, as stated in Production Log 1.
Our opening starts with our main protagonist, Mr.Harris, giving evidence to D.I Sharma. We witness Mr.Harris' thoughts through flashbacks. However, as the flashbacks start to get longer and more is revealed to the audience; the session is interrupted and D.I Sharma has to leave. Whilst alone, the flashbacks continue...and Mr.Harris feels ill - here then rushed to the washroom to through up. In the washroom, the killer finds Mr.Harris...
The title of our thriller is 'Evidence'. We chose this as it is the key theme in the thriller, Mr.Harris is only in this situation because he can give evidence. Moreover, it also supports the legal sub genre of our thriller.
Sub Genre
As explained in our treatment (under the 'Narrative' section), our thriller covers three sub genres;
Legal thriller; Our thriller fits into this genre due to the strong theme of police.
Physiological thriller; With the key clues, red herrings and twist at the end (that P.C Chandler is the killer) our thriller will play with the audience's mind.
Stalker thriller; The mise-en-scene of our killer added to his stalking of Mr.Harris clearly places our thriller in this category.
'Produce the titles and opening of a new (thriller/horror) fiction film, to last a maximum of two minutes'.
We were also given the assessment criteria for our portfolio as well as evaluating past students work, both of these gave me a greater understand of my brief, as stated in Production Log 1.
Our opening starts with our main protagonist, Mr.Harris, giving evidence to D.I Sharma. We witness Mr.Harris' thoughts through flashbacks. However, as the flashbacks start to get longer and more is revealed to the audience; the session is interrupted and D.I Sharma has to leave. Whilst alone, the flashbacks continue...and Mr.Harris feels ill - here then rushed to the washroom to through up. In the washroom, the killer finds Mr.Harris...
The title of our thriller is 'Evidence'. We chose this as it is the key theme in the thriller, Mr.Harris is only in this situation because he can give evidence. Moreover, it also supports the legal sub genre of our thriller.
Sub Genre
As explained in our treatment (under the 'Narrative' section), our thriller covers three sub genres;
Legal thriller; Our thriller fits into this genre due to the strong theme of police.
Physiological thriller; With the key clues, red herrings and twist at the end (that P.C Chandler is the killer) our thriller will play with the audience's mind.
Stalker thriller; The mise-en-scene of our killer added to his stalking of Mr.Harris clearly places our thriller in this category.
Monday, 19 April 2010
Sunday, 28 March 2010
(Production) Thriller Scores
Thriller Music
The Bride Of Frankenstein – Franz Waxman
The music used juxtaposes fast and slow pace as well as low and high volume. The effect that this has on the audience is that it engages them in the action due to some unexpected variation. This variation also acts has a way to ‘thrill’ the audience, partially in parts of high volume. Moreover, the music also varies in the repartition of these juxtaposed rhythms. For example, contrasting to the hectic start, the majority of the 1 minute is in the same deep tone and slow pace. This introduces anticipation for the audience as we do not know when to expect the next alternation, which finally occurs 2.35. Furthermore, some sound effects are used that can hint towards a supernatural theme; this its self denotes the storyline to the audience but also adds a gothic feel.
It ius also clear that at times the music becomes quite comical, for example from 6.50 briefly the pitch becomes very high and the music very light. Not only does this music connote the precarious nature of Frankenstein’s personality but due to the previously spooky music, it transforms conventional comedy into a sadistic tone – yet again scaring the audience.
The dénouement, which appears the start after minute 8, uses high volume and extremely quick pace. This connotes the conclusion to the audience, so that we know something is going to happen, giving the audience that ‘edge of the seat’ effect. Also, such strong music would portray what ever was happening on screen as tragic and terrifying – adding to the ‘thrill effect’.
Sisters – Bernard Herrmann
The key to the opening, I feel, is the tolling church bells which act as an underscore. This ‘tolling’ is often associated with funerals; consequently connoting death and possibly murder to the audience. The music that overpowers this key feature does do through high volume and what seems to be long drawn out tones. The ‘drawn out’ effect connotes to the audience that the ordeal they are about to watch will not be pleasant as it will seem never ending.
Hello Zepp- Charlie Clouser
The music uses repartition of the same beat but just increases the volume, tone and pitch. This is perfect for the thriller genre as it could be used for a scene where everything is revealed to the audience. The first use of the beat show the first clue, the second the second clue and so on. Therefore, this music connotes to the audience that the information they are receiving is key as well as adding to the gothic atmosphere.
Friday the 13th Soundtrack 01 - Main Theme
This music sustains a quick pace throughout, keep the audience engaged. Moreover, there seems to be a vocal inclusion that makes the audience think that the person is behind them. This feeling of paranoia would add to the effect caused by the thriller and support a stalker/slasher thriller, which Friday the 13th is.
1975-OFFICIAL JAWS Theme John Williams
The pace and rhythm seems to mimic that of a train approaching, this gives the audience the feel of something coming closer, not knowing what this thing is, adds anticipation. There are also lots of anti-climaxes used in the clip, the pace builds and volume increases – onto to return to a calm and magically rhythm.
Hellraiser Theme - Christopher Young
The music is not overpowering – which works as it will add to the effect of the footage rather than being the sole source of tension. A slow pace is used throughout which yet again leaves the audience waiting for something to happen. Although I have not seen the film, I can take the guess that the main antagonist is extremely intelligent and calculating but to the slow build up, as if you mimic his/her slow evil thought process.
The Exorcist/Tubular bells/Bassie en Adriaan
In the first minute of this track the music is relatively calm and pleasant, however, at 1.03 there is a harsh and sudden voice which hints towards certain jumpy moments. Moreover, the repetition of the same rhythm adds a supernatural feel, which is a key theme for the film.
A Nightmare On Elm Street - Theme Music (Original)
The music uses a consistently jarring and horrible undertone of what seems like a distorted ringing. Not only does this unpleasantness hint towards the unpleasant events to happen but it also makes you want to stop listening. The voice of the females, which seems to mimic ‘angels’ includes a supernatural feel, connoting the supernatural theme of the film and that this evil is carried out by supernatural forces.
The Omen Soundtrack 01 - Ave Satani
The use of the choir introduces the theme of religion. Moreover, choir conventionally symbolise heaven and purity, therefore for them to be scaring the audience adds a gothic effect. The repartition of the same words is also conventional to the obsessive characters often presented in thriller movies. The key about this clip is that there is no dénouement, there is only the suggest of a dénouement, the music simply gets you ready for a scary moment, but nothing actually happens.
John Carpenter - Halloween Theme
The key to this music is the consistent high pitch used; it is extreme jarring and uncomfortable to listen to. The added quick pace keeps you engaged. Overall, although the music is similar there is a slight increase in pace and pitch, building tension.
Psycho Theme
High pitch is yet again used to the same effect as the Halloween Theme. However, there a multiple layers to the sound, with some at less volume so they sound in the background. This gives the audience the feeling that they cannot escape the voice as it is everywhere – leaving them feeling trapped – much like the characters in the movie.
Therefore, it is clear that good thriller music must contain some or most of the following things;
• Slow increase in tension
• Quick pace
• Variety in pace, pitch and volume
• High pitch
• Jarring sounds
• Anti-climax followed by the final event.
The Bride Of Frankenstein – Franz Waxman
The music used juxtaposes fast and slow pace as well as low and high volume. The effect that this has on the audience is that it engages them in the action due to some unexpected variation. This variation also acts has a way to ‘thrill’ the audience, partially in parts of high volume. Moreover, the music also varies in the repartition of these juxtaposed rhythms. For example, contrasting to the hectic start, the majority of the 1 minute is in the same deep tone and slow pace. This introduces anticipation for the audience as we do not know when to expect the next alternation, which finally occurs 2.35. Furthermore, some sound effects are used that can hint towards a supernatural theme; this its self denotes the storyline to the audience but also adds a gothic feel.
It ius also clear that at times the music becomes quite comical, for example from 6.50 briefly the pitch becomes very high and the music very light. Not only does this music connote the precarious nature of Frankenstein’s personality but due to the previously spooky music, it transforms conventional comedy into a sadistic tone – yet again scaring the audience.
The dénouement, which appears the start after minute 8, uses high volume and extremely quick pace. This connotes the conclusion to the audience, so that we know something is going to happen, giving the audience that ‘edge of the seat’ effect. Also, such strong music would portray what ever was happening on screen as tragic and terrifying – adding to the ‘thrill effect’.
Sisters – Bernard Herrmann
The key to the opening, I feel, is the tolling church bells which act as an underscore. This ‘tolling’ is often associated with funerals; consequently connoting death and possibly murder to the audience. The music that overpowers this key feature does do through high volume and what seems to be long drawn out tones. The ‘drawn out’ effect connotes to the audience that the ordeal they are about to watch will not be pleasant as it will seem never ending.
Hello Zepp- Charlie Clouser
The music uses repartition of the same beat but just increases the volume, tone and pitch. This is perfect for the thriller genre as it could be used for a scene where everything is revealed to the audience. The first use of the beat show the first clue, the second the second clue and so on. Therefore, this music connotes to the audience that the information they are receiving is key as well as adding to the gothic atmosphere.
Friday the 13th Soundtrack 01 - Main Theme
This music sustains a quick pace throughout, keep the audience engaged. Moreover, there seems to be a vocal inclusion that makes the audience think that the person is behind them. This feeling of paranoia would add to the effect caused by the thriller and support a stalker/slasher thriller, which Friday the 13th is.
1975-OFFICIAL JAWS Theme John Williams
The pace and rhythm seems to mimic that of a train approaching, this gives the audience the feel of something coming closer, not knowing what this thing is, adds anticipation. There are also lots of anti-climaxes used in the clip, the pace builds and volume increases – onto to return to a calm and magically rhythm.
Hellraiser Theme - Christopher Young
The music is not overpowering – which works as it will add to the effect of the footage rather than being the sole source of tension. A slow pace is used throughout which yet again leaves the audience waiting for something to happen. Although I have not seen the film, I can take the guess that the main antagonist is extremely intelligent and calculating but to the slow build up, as if you mimic his/her slow evil thought process.
The Exorcist/Tubular bells/Bassie en Adriaan
In the first minute of this track the music is relatively calm and pleasant, however, at 1.03 there is a harsh and sudden voice which hints towards certain jumpy moments. Moreover, the repetition of the same rhythm adds a supernatural feel, which is a key theme for the film.
A Nightmare On Elm Street - Theme Music (Original)
The music uses a consistently jarring and horrible undertone of what seems like a distorted ringing. Not only does this unpleasantness hint towards the unpleasant events to happen but it also makes you want to stop listening. The voice of the females, which seems to mimic ‘angels’ includes a supernatural feel, connoting the supernatural theme of the film and that this evil is carried out by supernatural forces.
The Omen Soundtrack 01 - Ave Satani
The use of the choir introduces the theme of religion. Moreover, choir conventionally symbolise heaven and purity, therefore for them to be scaring the audience adds a gothic effect. The repartition of the same words is also conventional to the obsessive characters often presented in thriller movies. The key about this clip is that there is no dénouement, there is only the suggest of a dénouement, the music simply gets you ready for a scary moment, but nothing actually happens.
John Carpenter - Halloween Theme
The key to this music is the consistent high pitch used; it is extreme jarring and uncomfortable to listen to. The added quick pace keeps you engaged. Overall, although the music is similar there is a slight increase in pace and pitch, building tension.
Psycho Theme
High pitch is yet again used to the same effect as the Halloween Theme. However, there a multiple layers to the sound, with some at less volume so they sound in the background. This gives the audience the feeling that they cannot escape the voice as it is everywhere – leaving them feeling trapped – much like the characters in the movie.
Therefore, it is clear that good thriller music must contain some or most of the following things;
• Slow increase in tension
• Quick pace
• Variety in pace, pitch and volume
• High pitch
• Jarring sounds
• Anti-climax followed by the final event.
Thursday, 25 March 2010
Tuesday, 16 March 2010
Sunday, 14 March 2010
Monday, 8 March 2010
(Production) Production Graphics
Idea One
THis was our first idea for the title graphic. A Evidence is often stored in documents the masked words that are used to fill the letters realte back to this idea. What's more, the blurred font connotes that not everything is what it seems.
However, after thinking on how to improve this, we developed this idea.
Final Title Graphic
This graphic connotes a lot more to the audience and is far more conventional to the thriller genre.
THis was our first idea for the title graphic. A Evidence is often stored in documents the masked words that are used to fill the letters realte back to this idea. What's more, the blurred font connotes that not everything is what it seems.
However, after thinking on how to improve this, we developed this idea.
Final Title Graphic
This graphic connotes a lot more to the audience and is far more conventional to the thriller genre.
- The repeated words represent the mind of our killer. It is repetitvie and obsessive which is often conventional for the genre
- The evidence acts as a hightlight on some of the words. Also, it is not very visable which makes the audience look for it; hinting some of the unexpected events in the plot.
- The font is still slightly blurred, acted as a connotation for not everything being as it seems.
Sunday, 7 March 2010
Sunday, 28 February 2010
Monday, 22 February 2010
Sunday, 21 February 2010
(Pre-Production) Daily Filming Sheet
This is a break down of all props, actors and reminders that I will need on each of the filming dates that I have set;
Daily Filming Sheet One..
Daily Filming Sheet Two..
Daily Filming Sheet, Number Three
Daily Filming Sheet One..
Daily Filming Sheet Two..
Daily Filming Sheet, Number Three
(Pre-Production) Production Schedule
Once my Shot list was complete, I could develop a production schedule. Before placing all dates I have spoken to actors to confirm that they can come on those specific dates;
Production Schedule
Production Schedule
(Pre-Production) Shot List
Here is a list of all the shots for my production along with all other elements that I will need to bring on the day of filming;
Shot List..
Shot List..
Monday, 15 February 2010
(Pre-Production) Actors
I will only be using three actors in my opening scene. However, as an extra back-up I have placed two actors on standby should they need to be used as extras.
Detective Inspector Sharma
I will be using Akshay Kumar to play Detective Inspector Sharma, by using an Asian actor it may increase my target audience. I have asked Akshay about filming and he has confirmed, I have taken a note of when he is free in school days and have told him that I will get back to him for specific dates. Furthermore, he is happy to stay after school if need be, which is even more encouraging.
Michael Harris
I will be playing the role of Micheal Harris. The added advantage of playing such a key role is due to that fact that I have a personal attachment to the project, I will be willing to give as much as time possible.
P.C Chandler (Photo unavailable)
I will be using Matt Fenn to play the part of P.C Chandler. Matt has the perfect look for the part, with a small frame and can play a timid character very effectively. Furthermore, Matt is willing to give his spare time over the next few weeks and I have taken a note of when he is free during lesson time.
Extras
Therefore, In terms of cast I feel that all problems are dealt with as I have selected very committed and most importantly reliable people which is key for the production. As previously stated, I will contact all above with details of when we shall be filming and if they have any issues with these dates, they will be changed accordingly .
Detective Inspector Sharma
I will be using Akshay Kumar to play Detective Inspector Sharma, by using an Asian actor it may increase my target audience. I have asked Akshay about filming and he has confirmed, I have taken a note of when he is free in school days and have told him that I will get back to him for specific dates. Furthermore, he is happy to stay after school if need be, which is even more encouraging.
Michael Harris
I will be playing the role of Micheal Harris. The added advantage of playing such a key role is due to that fact that I have a personal attachment to the project, I will be willing to give as much as time possible.P.C Chandler (Photo unavailable)
I will be using Matt Fenn to play the part of P.C Chandler. Matt has the perfect look for the part, with a small frame and can play a timid character very effectively. Furthermore, Matt is willing to give his spare time over the next few weeks and I have taken a note of when he is free during lesson time.
Extras
Although these may not be necessary I have asked two people to play extras, or to act as a back-up should any of the above be unable to perform.
Jessica Sharma (Female)
Taylor Ironmonger (Male)
Therefore, In terms of cast I feel that all problems are dealt with as I have selected very committed and most importantly reliable people which is key for the production. As previously stated, I will contact all above with details of when we shall be filming and if they have any issues with these dates, they will be changed accordingly .
(Pre-Production) Found Locations
I will be using a found location for my thriller. In the opening I will only be using a total of two different locations; An interview room & a Men's washroom/lavatory. I have focused on trying to get all my locations within the school area, this way the locations are easily accessible which will be key for timing etc.
Interview room
For this I need a room that is relatively dark in order to increase the thriller effect. When searching around the school I found a 3rd Drama Class room that is only used if the others are overcrowded.
As you can see the blinds can be closed and the room is fairly large so we can use any area of it as we like as this scene will mostly be shot in close ups. For this room, we will need to place a table and two chairs, both of which the drama department have. I have told them the rough dates for filming, '22/02/10 up until 16/03/10'. They stated that these dates will be acceptable. However, once I have had a meeting with my production partner and a detailed schedule has been produced, I will contact the drama department to confirm. Yet, I feel that just letting them know that we would like to use the room will be enough for now as I am confident that it shall be free at times during lesson and most certainly after school.
Men's washroom/lavatory
For this location there was two different possibilities;
Washroom Number One;
This was the first washroom that I looked for. It is open throughout the day so we would be able to use it to film. However, the only problem with it is that it is the day washroom and we will be likely to be disturbed multiple times, which is something that we would like to avoid. Furthermore, the blue interior will decrease the tension of the scene, therefore it is our 2nd choice.
(Click to enlarge)
(Click to enlarge)
Washroom Number Two;
After searching the school further I discovered the evening boys toliet. This is locked throughout the day so I was unable to attain photographs. However, I soon enquired about using the room, I told the teacher incharge of the rough dates and he said that it will not be a problem at all as there are no evening events during that time and it will not be used in the day time, he has granted permission to use the washroom and told staff to unlock the toliet for us exclusively. Therefore this location is perfect as;
We will not be disturbed as nobody has access to use the toliet.
It has a white interior, with a slightly dirty look.
It is in school and can be used at ANY time over the next few weeks as we have asked permission.
Interview room
For this I need a room that is relatively dark in order to increase the thriller effect. When searching around the school I found a 3rd Drama Class room that is only used if the others are overcrowded.
As you can see the blinds can be closed and the room is fairly large so we can use any area of it as we like as this scene will mostly be shot in close ups. For this room, we will need to place a table and two chairs, both of which the drama department have. I have told them the rough dates for filming, '22/02/10 up until 16/03/10'. They stated that these dates will be acceptable. However, once I have had a meeting with my production partner and a detailed schedule has been produced, I will contact the drama department to confirm. Yet, I feel that just letting them know that we would like to use the room will be enough for now as I am confident that it shall be free at times during lesson and most certainly after school.
Men's washroom/lavatory
For this location there was two different possibilities;
Washroom Number One;
This was the first washroom that I looked for. It is open throughout the day so we would be able to use it to film. However, the only problem with it is that it is the day washroom and we will be likely to be disturbed multiple times, which is something that we would like to avoid. Furthermore, the blue interior will decrease the tension of the scene, therefore it is our 2nd choice.
(Click to enlarge)
(Click to enlarge)Washroom Number Two;
After searching the school further I discovered the evening boys toliet. This is locked throughout the day so I was unable to attain photographs. However, I soon enquired about using the room, I told the teacher incharge of the rough dates and he said that it will not be a problem at all as there are no evening events during that time and it will not be used in the day time, he has granted permission to use the washroom and told staff to unlock the toliet for us exclusively. Therefore this location is perfect as;
We will not be disturbed as nobody has access to use the toliet.
It has a white interior, with a slightly dirty look.
It is in school and can be used at ANY time over the next few weeks as we have asked permission.
Sunday, 14 February 2010
(Pre-Production) Treatment
Title
Working title of ‘Evidence’
• Evidence is a key theme and is strongly connoted in the title
• Moreover, evidence is often related with crime investigations, which suggests our legal thriller sub-genre.
• It is short and concise, with is conventional for the genre.
• It is clear and hints towards the themes, without giving much away.
Narrative
My thriller is a hybrid of sub-genres (legal thriller/physiological thriller/stalker thriller). In this brief summary I will state which specific areas include one of the three sub-genres stated.
Michael Harris is an average working-class male, until when in his work office he witnesses a gruesome murder. Not one to break convention, he goes to the police to tell them what he has seen (Legal Thriller). During the interview, there is a break due to Michael feeling ill. Alone in the Men’s washroom he is threatened by a masked male (Stalker Thriller). He is told to drop his statement or he shall be killed. However, Michael decides to take a stand and steps into the role of the protagonist by sticking by his statement. His life will never be the same again. He is consistently threatened and chased. He finds help in two police officers D.I Sharma and P.C Chandler. In the conclusion, they think they have located the killer, they go to a location. However, this is where the twist is revealed...P.C Chandler in the killer. He murders both D.I Sharma and Mr.Harris and covers up both of the murders. He is never to be caught.
Click here to see a more structured Narrative description and the process that lead up to me developing this particular plot.
Furthermore, this unconventional ending of the antagonist getting what they want and in effect beating the protagonists resulted from watching the thriller film of Se7en (David Fincher, 1995)
I feel that this unconventional ending could act as a USP, as the audience are powerless to stop the injustice and will leave them consistently thinking about clues and why they did’t realise that P.C Chandler was the killer. (Physiological thriller)
Target Audience
Our thriller is aimed at people aged 15-30, and both genders. We chose this age range as from a survey the responses we got was from people in this category, and also we thought that thrillers appeal to both male and females, therefore we decided to go for both genders. The thriller will be targeted at people who are interested in films, especially those that are intelligent as our thriller at times may require the audience to think and use their intelligence in order to understand the storyline. Our target audience will probably already be watching horror films, also TV programmes that include similar elements for example those like, 24, lost and prison break also watch programmes that involve the law (police officers, investigations etc). Our target audience will be in a working to middle class, and in the social economic group, B-D. We choose this specific SEG, as our thriller requires people who are intelligent, therefore people in the B category, and the others will watch it as it appeals to them through the conventions we will use.
Our film will appeal to them because of the narrative. The narrative we will use will allow us to be creative in production, especially through editing and special effects which will be used to create suspense. Also having to think about what is going on and have to use own intelligence is our unique selling point, as most people do not want to be a passive audience but a proactive audience.
Having analysed the response from others, we know that our audience enjoy Action and psychological thrillers, which we may Hybrid the two genres. We also realised that our audience like movies like the dark Knight, The usual suspects, Memento and 2012, and they said that they enjoyed the unexpected twist in the usual suspects, 2012 creating suspense and Memento the non-linear narrative. We will use these specific elements in our thriller in order for it to appeal to our target audience.
Representations
• The main protagonist is the person giving evidence as we follow his quest to escape the people who are trying to kill him (Michael Harris). We are looking for him to not represent any particular group so that it is easier for the audience to relate. This will increase the verisimilitude as the audience will find it easier to place themselves in his daunting situation. This introduces elements of a psychological thriller (Which was the 2nd highest preferred sub-genre) as it will leave the viewer feeling uneasy, even after watching the thriller.
• Our antagonist is the masked killer(P.C Chandler). His identity is not revealed until the conclusion. However, through the little dialogue that he does have (whilst he is masked) the audience will understand that he is extremely intelligent. The best way to describe the antagonist’s role is through Vladimir Propp’s Theory on characters. Throughout the narrative the audience will be under the impression that he is the 'Helper' but at the end it will be revealed that he is actually the 'Villain'
Below are the names and descriptions of the characters.
Michael Harris - (Main Protagonist)
D.I Sharma (Akshay Sharma) – He is the character that will be interviewing Mr.Harris in the opening. He will be ‘The Helper’ using Propp’s theory; he will consistently look to support Mr.Harris in his quest to escape from the killer.
P.C Chandler – (Main Antagonist). As this character is two different identities I have broken it down.
Police Officer – He will be very feeble and timid. This is key as his timid nature will act as a red herring due to the fact that the audience will never suspect him as the killer. Furthermore, due to this timid nature he is treated with little respect by other police officers, this explains why he is angry and results to murder.
Unknown Killer – Identity is never revealed until the end where all clues are revealed and identity shown (click here to see how I will conceal his identity). Unknown killer will not have much dialogue but when he does, his accent will be changed and he will be very confident (P.C Chandler living how he would like to.)
Style and Iconography
Camerawork
The camerawork in the opening scene will be used to build tension as little will be revealed by using close ups. I obtained this idea from watching the brilliant thriller What Lies Beneath (Robert Zeneckis, 2000)
A specific idea that I had was that the opening 30 seconds where Mr.Harris is giving a statement to D.I Sharma the camerawork is very restricted with lots of close-ups. However, when P.C Chandler knows on the door, his entrance is presented in a long shot to emphasize how feeble he is.
Sound
Adding upon this idea of P.C Chandler breaking the tension in the opening sequence, music will be key to portray this. Firstly, when researching what sound to use I discovered this YouTube video. This emphasizes how important sound can be when trying to build tension. Therefore, just as Michael Harris is about to tell D.I Sharma what he saw; the music will build and build. And P.C Chandler’s entrance will cause the music to stop.
Costume/Props
My costume will be very clear, for example my police jumper as shown in my Production Log Week 3
Technology
• We wanted to include foreshadowing, by having a light flicking on and off in the toilet. This could be done in the editing stage on the iMac, or we could use a strobe light.
• Furthermore, we would like low key lighting (pathetic fallacy), but some of the locations this will not be possible. To overcome this problem we could relocate or we could edit the lighting on the iMac.
Institutions
Due to the complex plot of my film I feel that it would be produced by a subsidiary of Hollywood. However, due to my mainly English audience, the perfect example would be ‘Working Title Films’ which is a subsidiary of Universal Studios. A perfect example is the comedy-horror hybrid ‘Shaun Of the Dead’ is one of their films; it features English accents and English setting, much like my film. The reason as to why my thriller wouldn’t be an independent production is for the simple fact that it is not conventional for that type of production. Independent films are often very controversial, for example Danny Boyle’s Trainspotting.
Distribution
Following the path of ‘Shaun Of The Dead’, the film was distributed main by Universal Pictures in over 10 countries. However, multiple other companies including ‘Rogue Pictures’, may want to distribute my film.
Exhibition
My film would be exhibited in most mainstream cinemas such as the major company of ‘Vue’. Once being released in England, the film would then be shown in America. However, it may be adapted for American release, for example this was done with Working Title’s film ‘The Boat That Rocked’ whose title was changed to ‘Pirate Radio’ to appeal to an American, mainstream audience as it connotes more about the storyline. I also believe that my film would be released on home release through DVD, which is brilliant as thriller films are more entertaining the second time of watching due to the realisation of clues throughout the plot.
Working title of ‘Evidence’
• Evidence is a key theme and is strongly connoted in the title
• Moreover, evidence is often related with crime investigations, which suggests our legal thriller sub-genre.
• It is short and concise, with is conventional for the genre.
• It is clear and hints towards the themes, without giving much away.
Narrative
My thriller is a hybrid of sub-genres (legal thriller/physiological thriller/stalker thriller). In this brief summary I will state which specific areas include one of the three sub-genres stated.
Michael Harris is an average working-class male, until when in his work office he witnesses a gruesome murder. Not one to break convention, he goes to the police to tell them what he has seen (Legal Thriller). During the interview, there is a break due to Michael feeling ill. Alone in the Men’s washroom he is threatened by a masked male (Stalker Thriller). He is told to drop his statement or he shall be killed. However, Michael decides to take a stand and steps into the role of the protagonist by sticking by his statement. His life will never be the same again. He is consistently threatened and chased. He finds help in two police officers D.I Sharma and P.C Chandler. In the conclusion, they think they have located the killer, they go to a location. However, this is where the twist is revealed...P.C Chandler in the killer. He murders both D.I Sharma and Mr.Harris and covers up both of the murders. He is never to be caught.
Click here to see a more structured Narrative description and the process that lead up to me developing this particular plot.
Furthermore, this unconventional ending of the antagonist getting what they want and in effect beating the protagonists resulted from watching the thriller film of Se7en (David Fincher, 1995)
I feel that this unconventional ending could act as a USP, as the audience are powerless to stop the injustice and will leave them consistently thinking about clues and why they did’t realise that P.C Chandler was the killer. (Physiological thriller)
Target Audience
Our thriller is aimed at people aged 15-30, and both genders. We chose this age range as from a survey the responses we got was from people in this category, and also we thought that thrillers appeal to both male and females, therefore we decided to go for both genders. The thriller will be targeted at people who are interested in films, especially those that are intelligent as our thriller at times may require the audience to think and use their intelligence in order to understand the storyline. Our target audience will probably already be watching horror films, also TV programmes that include similar elements for example those like, 24, lost and prison break also watch programmes that involve the law (police officers, investigations etc). Our target audience will be in a working to middle class, and in the social economic group, B-D. We choose this specific SEG, as our thriller requires people who are intelligent, therefore people in the B category, and the others will watch it as it appeals to them through the conventions we will use.
Our film will appeal to them because of the narrative. The narrative we will use will allow us to be creative in production, especially through editing and special effects which will be used to create suspense. Also having to think about what is going on and have to use own intelligence is our unique selling point, as most people do not want to be a passive audience but a proactive audience.
Having analysed the response from others, we know that our audience enjoy Action and psychological thrillers, which we may Hybrid the two genres. We also realised that our audience like movies like the dark Knight, The usual suspects, Memento and 2012, and they said that they enjoyed the unexpected twist in the usual suspects, 2012 creating suspense and Memento the non-linear narrative. We will use these specific elements in our thriller in order for it to appeal to our target audience.
Representations
• The main protagonist is the person giving evidence as we follow his quest to escape the people who are trying to kill him (Michael Harris). We are looking for him to not represent any particular group so that it is easier for the audience to relate. This will increase the verisimilitude as the audience will find it easier to place themselves in his daunting situation. This introduces elements of a psychological thriller (Which was the 2nd highest preferred sub-genre) as it will leave the viewer feeling uneasy, even after watching the thriller.
• Our antagonist is the masked killer(P.C Chandler). His identity is not revealed until the conclusion. However, through the little dialogue that he does have (whilst he is masked) the audience will understand that he is extremely intelligent. The best way to describe the antagonist’s role is through Vladimir Propp’s Theory on characters. Throughout the narrative the audience will be under the impression that he is the 'Helper' but at the end it will be revealed that he is actually the 'Villain'
Below are the names and descriptions of the characters.
Michael Harris - (Main Protagonist)
D.I Sharma (Akshay Sharma) – He is the character that will be interviewing Mr.Harris in the opening. He will be ‘The Helper’ using Propp’s theory; he will consistently look to support Mr.Harris in his quest to escape from the killer.
P.C Chandler – (Main Antagonist). As this character is two different identities I have broken it down.
Police Officer – He will be very feeble and timid. This is key as his timid nature will act as a red herring due to the fact that the audience will never suspect him as the killer. Furthermore, due to this timid nature he is treated with little respect by other police officers, this explains why he is angry and results to murder.
Unknown Killer – Identity is never revealed until the end where all clues are revealed and identity shown (click here to see how I will conceal his identity). Unknown killer will not have much dialogue but when he does, his accent will be changed and he will be very confident (P.C Chandler living how he would like to.)
Style and Iconography
Camerawork
The camerawork in the opening scene will be used to build tension as little will be revealed by using close ups. I obtained this idea from watching the brilliant thriller What Lies Beneath (Robert Zeneckis, 2000)
A specific idea that I had was that the opening 30 seconds where Mr.Harris is giving a statement to D.I Sharma the camerawork is very restricted with lots of close-ups. However, when P.C Chandler knows on the door, his entrance is presented in a long shot to emphasize how feeble he is.
Sound
Adding upon this idea of P.C Chandler breaking the tension in the opening sequence, music will be key to portray this. Firstly, when researching what sound to use I discovered this YouTube video. This emphasizes how important sound can be when trying to build tension. Therefore, just as Michael Harris is about to tell D.I Sharma what he saw; the music will build and build. And P.C Chandler’s entrance will cause the music to stop.
Costume/Props
My costume will be very clear, for example my police jumper as shown in my Production Log Week 3
Technology
• We wanted to include foreshadowing, by having a light flicking on and off in the toilet. This could be done in the editing stage on the iMac, or we could use a strobe light.
• Furthermore, we would like low key lighting (pathetic fallacy), but some of the locations this will not be possible. To overcome this problem we could relocate or we could edit the lighting on the iMac.
Institutions
Due to the complex plot of my film I feel that it would be produced by a subsidiary of Hollywood. However, due to my mainly English audience, the perfect example would be ‘Working Title Films’ which is a subsidiary of Universal Studios. A perfect example is the comedy-horror hybrid ‘Shaun Of the Dead’ is one of their films; it features English accents and English setting, much like my film. The reason as to why my thriller wouldn’t be an independent production is for the simple fact that it is not conventional for that type of production. Independent films are often very controversial, for example Danny Boyle’s Trainspotting.
Distribution
Following the path of ‘Shaun Of The Dead’, the film was distributed main by Universal Pictures in over 10 countries. However, multiple other companies including ‘Rogue Pictures’, may want to distribute my film.
Exhibition
My film would be exhibited in most mainstream cinemas such as the major company of ‘Vue’. Once being released in England, the film would then be shown in America. However, it may be adapted for American release, for example this was done with Working Title’s film ‘The Boat That Rocked’ whose title was changed to ‘Pirate Radio’ to appeal to an American, mainstream audience as it connotes more about the storyline. I also believe that my film would be released on home release through DVD, which is brilliant as thriller films are more entertaining the second time of watching due to the realisation of clues throughout the plot.
Friday, 12 February 2010
(Pre-Production) Concealing The Killer
In my opening sequence, I had the idea of the killer threatening the protagonist. When trying to think of ways to conceal the killers identity I recalled a scene I had watched from the thriller film Zodiac (David Fincher, 2007);
My previous idea was to conceal the killers identity through clever motivated cuts. However, the problem with this would be that certain features such as hair, skin tone etc would be revealed and may become too easy to work out that the police officer is the killer. However, this scene in Zodiac, covers the killers identity perfectly, with the only give away being his accent, with in my production, the killer will change when wanting to conceal his identity.
Upon this, I decided to research into what possible techniques I would use to create the same effect;
Firstly, I researched on Ebay;
This cheap balaclava would be perfect for concealing the majority of the killers face. In order to cover the eyes, I will use Ski Googles that I already own. Below is a picture of myself trying on the equipment.
My previous idea was to conceal the killers identity through clever motivated cuts. However, the problem with this would be that certain features such as hair, skin tone etc would be revealed and may become too easy to work out that the police officer is the killer. However, this scene in Zodiac, covers the killers identity perfectly, with the only give away being his accent, with in my production, the killer will change when wanting to conceal his identity.
Upon this, I decided to research into what possible techniques I would use to create the same effect;
Firstly, I researched on Ebay;
This cheap balaclava would be perfect for concealing the majority of the killers face. In order to cover the eyes, I will use Ski Googles that I already own. Below is a picture of myself trying on the equipment.
(Click to enlarge)
As you can see the materials cover my face perfectly aand therefore will be perfect for my production.
As you can see the materials cover my face perfectly aand therefore will be perfect for my production.
(Pre-Production) Narrative Structure
Todorovs Theory
Equilibrium > Disruption > New equilibrium. I initially used this simple structure to develop a simplified idea of my narrative structure and plot.
Equilibrium - All this is not shown in the narrative other than in some possible flashbacks and wen our main protagonist hints towards his previously uneventful life, i.e "I'm just a normal person! This shouldn't be happening"
Disruption - This is where the narrative will start. The production will begin with the protagonist giving a witness statement to the police about the murder he witnessed. However, due to the evidence given; the killer begins to target our main protagonist.
New Equilibrium - The twist is revealed. One of the police officers at the station is the killer, this police officer is also in charge of security so can get away with most things. The police officers kills our main protagonist and covers up the murder. He will never be caught.
Although this narrative structure is efficient, we decided to use the more developed, 'Classic Narrative Structure' created by McKee. This added new depth would allow us to understand our production more as a whole, resulting in a opening sequence with more foreshadowing and red herrings.
McKee's 'Classic Narrative Structure' applied;
McKee's Narrative Structure
Equilibrium > Disruption > New equilibrium. I initially used this simple structure to develop a simplified idea of my narrative structure and plot.
Equilibrium - All this is not shown in the narrative other than in some possible flashbacks and wen our main protagonist hints towards his previously uneventful life, i.e "I'm just a normal person! This shouldn't be happening"
Disruption - This is where the narrative will start. The production will begin with the protagonist giving a witness statement to the police about the murder he witnessed. However, due to the evidence given; the killer begins to target our main protagonist.
New Equilibrium - The twist is revealed. One of the police officers at the station is the killer, this police officer is also in charge of security so can get away with most things. The police officers kills our main protagonist and covers up the murder. He will never be caught.
Although this narrative structure is efficient, we decided to use the more developed, 'Classic Narrative Structure' created by McKee. This added new depth would allow us to understand our production more as a whole, resulting in a opening sequence with more foreshadowing and red herrings.
McKee's 'Classic Narrative Structure' applied;
McKee's Narrative Structure
Sunday, 7 February 2010
(Pre-Production) Analysis of Survey Monkey results
In order to gain an insight into peoples opinions on thriller films, we created a survey on surveymonkey. Here is an analysis of the results;
Survey Monkey Response
Survey Monkey Response
Sunday, 31 January 2010
(Pre-Production) Thriller Codes & Conventions
Understanding key codes and conventions will be key when I begin producing the opening sequence to my thriller. Here are the six different conventions we were introduced to, and what codes are used to portray them.
Flashback/Flash forward
This is used with a non-linear narrative. It can foreshadowing events to come or explain an event that happened in the past, therefore it is used to extend the narrative. For this convention we focused on the a scene from Fight Club (David Fincher, 1999);
This specific scene uses many of the conventional codes to convey the flashback. The quick editing emphasizes the blurred effect that results from memory, showing that it is in the past. Furthermore, to show a clear transition, they start the first flashback with shot of the actor closing his eyes and the next image after the flashback is the same shot of the actor closing his eyes. What's more, the music plays a huge part in the flashback, the sharp music emphasizes the importance of the flashback.
Red Herring
This is often a technique that seems to be set up through the narrative. However, various other codes can still be used. A perfect example of how a red herring is developed through narrative is the ending of Saw (James Wan, 2004). Throughout the plot the audience has been led to believe that the man is dead. The red herring is in the make up and the characters inability to ask questions about the dead man.
Dramatic Irony
This is when the audience know more than the characters, it allows the audience to guess what will happen but leaves the powerless as there is nothing they can do to stop it. For this, we focused on the previous students work of 'Frame Of Mind';
The fact that the male is wearing gloves whilst on the computer and whilst driving hints that he is trying to hide his identity. It is dramatic irony as we know that this person cannot be trusted, whilst the girl in naive and visits him. This subtle addition, hooks the audience and links the next convention of...
Foreshadowing
This is key to the thriller genre, it allows the audience to anticipate whats going to happen which is key to the thriller genre, as Alfred Hitchcock supports, “There is no terror in a bang, only in the anticipation of it”. The example that we were show was the music in Jaws (Steven Spielberg, 1975)
Music is key when foreshadowing danger, it subtly makes the audience sit on the edge of their seat and build the 'anticipation'. It is clear from this example that the music slowly builds up, building tension and excitement. However, many other codes could be used to portray this convention including; Dialogue (i.e 'Don't go in there'). Editing (i.e Lots of close ups, not much is revealed) Narrative.
Pathetic Fallacy
This is simply to do with mise-en-scene. This is when the lighting reflects/foreshadows the mood of the scene. We looked at a conventional use of pathetic fallacy; where it was raining and and night, foreshadowing danger. However, when watching One-Hour Photo (Mark Romanek, 2002), there is a scene that doesn't use pathetic fallacy;
The scenes lighting is extremely unconventional, low-key lighting is not used and the shocking imagery is not foreshadowed. However, it is a technique that I feel works very well as it catches the audience off guard.
Twist
A twist is often shown through the code of narrative. It is build up throughout the plot and normally towards the conclusion, the twist is revealed. For this we focused on multiple twists from different films to understand the variety of techniques.
To conclude, by focusing on these different conventions it has given me a greater understanding of what I might wish to include in my thriller.
Flashback/Flash forward
This is used with a non-linear narrative. It can foreshadowing events to come or explain an event that happened in the past, therefore it is used to extend the narrative. For this convention we focused on the a scene from Fight Club (David Fincher, 1999);
This specific scene uses many of the conventional codes to convey the flashback. The quick editing emphasizes the blurred effect that results from memory, showing that it is in the past. Furthermore, to show a clear transition, they start the first flashback with shot of the actor closing his eyes and the next image after the flashback is the same shot of the actor closing his eyes. What's more, the music plays a huge part in the flashback, the sharp music emphasizes the importance of the flashback.
Red Herring
This is often a technique that seems to be set up through the narrative. However, various other codes can still be used. A perfect example of how a red herring is developed through narrative is the ending of Saw (James Wan, 2004). Throughout the plot the audience has been led to believe that the man is dead. The red herring is in the make up and the characters inability to ask questions about the dead man.
Dramatic Irony
This is when the audience know more than the characters, it allows the audience to guess what will happen but leaves the powerless as there is nothing they can do to stop it. For this, we focused on the previous students work of 'Frame Of Mind';
The fact that the male is wearing gloves whilst on the computer and whilst driving hints that he is trying to hide his identity. It is dramatic irony as we know that this person cannot be trusted, whilst the girl in naive and visits him. This subtle addition, hooks the audience and links the next convention of...
Foreshadowing
This is key to the thriller genre, it allows the audience to anticipate whats going to happen which is key to the thriller genre, as Alfred Hitchcock supports, “There is no terror in a bang, only in the anticipation of it”. The example that we were show was the music in Jaws (Steven Spielberg, 1975)
Music is key when foreshadowing danger, it subtly makes the audience sit on the edge of their seat and build the 'anticipation'. It is clear from this example that the music slowly builds up, building tension and excitement. However, many other codes could be used to portray this convention including; Dialogue (i.e 'Don't go in there'). Editing (i.e Lots of close ups, not much is revealed) Narrative.
Pathetic Fallacy
This is simply to do with mise-en-scene. This is when the lighting reflects/foreshadows the mood of the scene. We looked at a conventional use of pathetic fallacy; where it was raining and and night, foreshadowing danger. However, when watching One-Hour Photo (Mark Romanek, 2002), there is a scene that doesn't use pathetic fallacy;
The scenes lighting is extremely unconventional, low-key lighting is not used and the shocking imagery is not foreshadowed. However, it is a technique that I feel works very well as it catches the audience off guard.
Twist
A twist is often shown through the code of narrative. It is build up throughout the plot and normally towards the conclusion, the twist is revealed. For this we focused on multiple twists from different films to understand the variety of techniques.
To conclude, by focusing on these different conventions it has given me a greater understanding of what I might wish to include in my thriller.
Sunday, 24 January 2010
(Pre-Production) Evaluation of past students productions
Analysing and marking previous worked has given me a better understanding of the requirements. In this process I was extremely picky with mistakes and elements that could be improved so that i could understand what they did right and wrong in relation to the grades that they received. Below is the format that I used to analyses the three productions.
Evaluation of Past Students productions
Evaluation of Past Students productions
(Pre-Production) The Gardener
The first example of previous work that we were given was 'The Gardener'. My previous conception of a thriller was slow music, slow moving characters and sudden scary moments that catch you off guard. Yet, these piece was extremely unconventional; the music was extreme asynchronous. The music was upbeat and lively which was in complete contrast to the footage of a scared girl running through the forest being chased by a man with a pitchfork. However, i found this extremely effective and for me worked very well as it took a more sadistic, physiological approach to what a thriller was. Although I will probably not be using the same technique in my thriller, the piece has encouraged me to be creative and imaginative as it can still work (this is apparent due to its 58/60 on the previous mark scheme).
(Pre-Production) Mark Scheme
Analysing the mark scheme helped me to understand the extreme detail that will be needed in my production. For example, the 'construction' stage being broken down into eight, specific areas shows me that each aspect of the thriller needs to be analysed. As a result, before making decisions of my thriller i will question why this needs to be included or why i edited footage in this way.
As F Portfolio Assessment Criteria
As F Portfolio Assessment Criteria
Monday, 18 January 2010
(Continuity Exercise) Strengths and Weaknesses from my preliminary exercise.
Good points
- Different variety of camera shots created greater understanding.
- The idea was clear and creative, making the narrative humourous.
- Match on action was used effectively.
- Editing was good, invisible editing was in practice.
- The clown music suited the content of the scene.
- Motivated cuts to hide the clowns face was used efficiently as it created suspence.
- The wavy motion of the title, suited the media text.
- The lighting noticably varied between shots.
- Music had a slightly quicker rythme that the scene, this unintentional use of asynchronous sound could have been confusing.
- Personally, I realised that on some mid-shots of the clown contained other objects (large hat & papers on desk) that may have distracted the audience.
- I would change made the lighting consistent throughout all frames, through editing techniques.
- I would have located music with a similar clown theme, but that had a slower rythme to match the content of the footage.
- I could have used a more related typography that just plain white.
- I would remove all distracting objects from the shoe, to create a more professional look.
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